Pubblicazione scientifica

Mapping Through Listening

FILONE TECNOLOGICO	TEMA
produzione e cattura

RIASSUNTO

Gesture-to-sound mapping is generally defined as the association between gestural and sound parameters. This article describes an approach that brings forward the perception–action loop as a fundamental design principle for gesture–sound mapping in digital music instrument. Our approach considers the processes of listening as the foundation—and the first step—in the design of action–sound relationships. In this design process, the relationship between action and sound is derived from actions that can be perceived in the sound. Building on previous work on listening modes and gestural descriptions, we propose to distinguish between three mapping strategies: instantaneous, temporal, and metaphorical. Our approach makes use of machine-learning techniques for building prototypes, from digital music instruments to interactive installations. Four different examples of scenarios and prototypes are described and discussed.

DATA

Data di pubblicazione: 01/09/2014

AUTORI

BAPTISTE CARAMIAUX
JULES FRANCOISE
NORBERT SCHNELL
FREDERIC BEVILACQUA

ENTE DI AFFERENZA

†STMS Lab IRCAM-CNRS-UPMC Institut de Recherche et Coordination Acoustique/Musique 1 place Igor Stravinsky 75004 Paris France. jules.francoise@ircam.fr norbert.schnell@ircam.fr frederic.bevilacqua@ircam.fr
DEPT COMPUTING GOLDSMITHS COLLEGE UNIV LONDON NEW CROSS LONDON SE16 6NW UK B CARAMIAUX GOLD AC UK

RIVISTA

Computer Music Journal (Volume: 38, Issue: 3, Page(s): 34-48)

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